Composer

:

Charles Hylton Stewart

Genre

:

Choral

Style

:

Magnificat

Compose Date

:

1925

Average_duration

:

7:22

Movement_count

:

2

Movement ....

Charles Hylton Stewart's 'Magnificat and Nunc Dimittis in C' is a choral work that was composed in the early 20th century. The piece was premiered in 1915 and has since become a staple of the Anglican choral repertoire. The work is divided into two movements, the Magnificat and the Nunc Dimittis, which are both based on biblical texts. The Magnificat is a canticle that is traditionally sung during the evening prayer service, and it is a hymn of praise that is attributed to the Virgin Mary. The Nunc Dimittis, on the other hand, is a canticle that is traditionally sung during the night prayer service, and it is a hymn of thanksgiving that is attributed to Simeon, a devout Jew who saw the infant Jesus in the temple. Stewart's setting of the Magnificat and Nunc Dimittis in C is characterized by its lush harmonies and soaring melodies. The piece is written for a four-part choir, with the soprano and alto parts often singing in unison and the tenor and bass parts providing a rich harmonic foundation. The work also features a number of solo passages, which are typically sung by the soprano or alto voices. One of the most striking features of Stewart's setting is its use of dynamic contrast. The piece begins with a quiet, almost hushed opening, but gradually builds in intensity until it reaches a powerful climax in the middle of the Magnificat. The Nunc Dimittis, by contrast, is more subdued, with a gentle, lilting melody that gradually fades away into silence. Overall, Charles Hylton Stewart's 'Magnificat and Nunc Dimittis in C' is a beautiful and moving choral work that has stood the test of time. Its lush harmonies, soaring melodies, and dynamic contrast make it a favorite of choirs and audiences alike.

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