Composer

:

Guillaume de Machaut

Genre

:

Vocal

Style

:

Rondeau

Average_duration

:

4:00

"Dix et sept, cinc" is a chanson composed by Guillaume de Machaut, a French poet and composer of the 14th century. The piece was likely composed in the 1350s and is part of a collection of his works known as the "Machaut Manuscripts." The chanson is written in the form of a rondeau, a popular musical form in medieval France. It consists of three stanzas, each followed by a refrain. The refrain, "Dix et sept, cinc," is a play on words that translates to "ten and seven, five," and is repeated throughout the piece. The chanson is characterized by its complex polyphonic texture, with multiple voices singing different melodies simultaneously. Machaut was known for his innovative use of harmony and counterpoint, and "Dix et sept, cinc" is no exception. The piece features intricate interweaving melodies and unexpected harmonic shifts, creating a rich and dynamic sound. The premiere of "Dix et sept, cinc" is unknown, but it was likely performed in the court of King John II of France, for whom Machaut worked as a secretary and musician. The piece was highly regarded in its time and has continued to be studied and performed by musicians and scholars to this day. Overall, "Dix et sept, cinc" is a prime example of Machaut's skill as a composer and his contributions to the development of medieval music. Its intricate harmonies and complex polyphony make it a challenging but rewarding piece for performers and listeners alike.

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