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John Hingeston
Fantasia for 3 bass viols in G minor (VdGS No. 1)
Works Info
Composer
:
John Hingeston
Genre
:
Chamber
Average_duration
:
2:53
Fantasia for 3 bass viols in G minor (VdGS No. 1) is a composition by John Hingeston, an English composer and viol player who lived in the 17th century. The piece was composed in the early 1600s and is believed to have been premiered during Hingeston's lifetime. The composition consists of three movements, each of which is played by three bass viols. The first movement is in G minor and is marked by a slow, mournful melody that is played by the first viol. The second viol provides a counterpoint to the melody, while the third viol plays a bass line that supports the other two parts. The movement is characterized by its use of dissonance and chromaticism, which create a sense of tension and unease. The second movement is in G major and is marked by a faster tempo and a more lively melody. The first viol takes the lead again, with the second and third viols providing accompaniment. The movement is characterized by its use of imitation, in which one viol plays a melody that is then echoed by the other two viols. This creates a sense of unity and coherence among the three parts. The final movement is in G minor and is marked by a slower tempo and a more somber mood. The first viol plays a melody that is similar to the one in the first movement, but with some variations. The second and third viols again provide accompaniment, with the third viol playing a bass line that is more prominent than in the first movement. The movement is characterized by its use of suspensions, in which one note is held over while the other parts move on. This creates a sense of tension and release that is typical of Baroque music. Overall, Fantasia for 3 bass viols in G minor (VdGS No. 1) is a complex and sophisticated composition that showcases Hingeston's skill as a composer and viol player. Its use of dissonance, chromaticism, imitation, and suspensions make it a representative example of Baroque music, and it remains a popular piece among viol players and enthusiasts today.
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