Composer

:

Dave Brubeck

Genre

:

Choral

Style

:

Choral

Compose Date

:

1969

Average_duration

:

50:04

Movement_count

:

14

Movement ....

"Gates of Justice" is a choral work composed by Dave Brubeck in 1969. It premiered on April 19, 1969, at the Lincoln Center in New York City. The piece is divided into six movements, each with its own unique characteristics. The first movement, "Lord, Lord," is a call and response between the choir and soloists. It features a bluesy melody and a syncopated rhythm, which is a hallmark of Brubeck's jazz style. The second movement, "The Peaceful Warrior," is a tribute to Martin Luther King Jr. It features a spoken-word section that is interspersed with choral singing. The music is slow and contemplative, with a mournful quality that reflects the tragedy of King's assassination. The third movement, "The Lord's Prayer," is a setting of the traditional Christian prayer. It features a simple melody and a gentle, flowing rhythm. The choir sings in unison, creating a sense of unity and harmony. The fourth movement, "The Gate of Justice," is the centerpiece of the work. It features a powerful, driving rhythm and a soaring melody. The lyrics are taken from Psalm 118: "Open to me the gates of justice; I will enter and give thanks to the Lord." The choir sings in harmony, creating a sense of urgency and determination. The fifth movement, "The Road to Freedom," is a tribute to the civil rights movement. It features a spoken-word section that is interspersed with choral singing. The music is upbeat and optimistic, with a sense of hope and possibility. The final movement, "Everybody's Got a Right to Live," is a rousing gospel-style number. It features a call and response between the choir and soloists, with a lively, syncopated rhythm. The lyrics are a celebration of human rights and dignity, and the music reflects the joy and energy of the gospel tradition. Overall, "Gates of Justice" is a powerful and moving work that combines elements of jazz, gospel, and classical music. It is a testament to Brubeck's skill as a composer and his commitment to social justice.

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