Composer

:

Francisco Correa de Arrauxo

Genre

:

Keyboard

Style

:

Keyboard

Average_duration

:

5:22

Francisco Correa de Arrauxo was a Spanish composer and organist who lived during the late Renaissance period. He is known for his keyboard music, particularly his tientos, which were a type of keyboard composition that originated in Spain in the 16th century. One of his most famous tientos is the "Tiento y discurso No. 2 de segundo tono," which was composed in the early 17th century. The "Tiento y discurso No. 2 de segundo tono" is a keyboard composition that is written in the second tone. It is divided into two movements: the tiento and the discurso. The tiento is a type of keyboard composition that was popular in Spain during the Renaissance period. It is characterized by its use of imitative counterpoint and its rhythmic complexity. The discurso, on the other hand, is a type of keyboard composition that was popular in Spain during the Baroque period. It is characterized by its use of virtuosic figuration and its improvisatory style. The "Tiento y discurso No. 2 de segundo tono" begins with the tiento, which is written in a strict imitative style. The opening theme is introduced in the right hand and is then imitated in the left hand. The theme is then developed through a series of imitative entries and variations. The tiento is characterized by its use of complex rhythms and its intricate counterpoint. The second movement of the "Tiento y discurso No. 2 de segundo tono" is the discurso. This movement is more virtuosic than the tiento and is characterized by its use of rapid figuration and its improvisatory style. The discurso begins with a series of arpeggios in the right hand, which are then imitated in the left hand. The movement then develops through a series of virtuosic figurations and improvisatory passages. The discurso is characterized by its use of ornamentation and its rapid, virtuosic passages. The "Tiento y discurso No. 2 de segundo tono" was premiered in the early 17th century and quickly became one of Correa de Arrauxo's most famous compositions. It is still performed today by keyboardists who specialize in Renaissance and Baroque music. The piece is notable for its use of complex counterpoint, its intricate rhythms, and its virtuosic figurations. It is a testament to Correa de Arrauxo's skill as a composer and his contribution to the development of keyboard music in Spain during the Renaissance and Baroque periods.

More....