Sigfrid Karg-Elert
Ringe recht, wenn Gottes Gnade, Op. 65/32
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Composer:Sigfrid Karg-ElertGenre:KeyboardAverage_duration:1:55"Ringe recht, wenn Gottes Gnade" is a choral prelude for organ composed by Sigfrid Karg-Elert in 1909. It is part of his Opus 65, a collection of 66 choral preludes for organ. The piece premiered in 1910 in Leipzig, Germany. The title of the piece translates to "Ring true, if God's grace." The piece is based on a hymn by Johann Rist, a German poet and hymn writer from the 17th century. The hymn text is a call to Christians to remain steadfast in their faith and to trust in God's grace. The piece is in four movements, each of which corresponds to a verse of the hymn. The first movement is marked "Andante con moto" and features a flowing melody in the right hand over a steady accompaniment in the left hand. The second movement is marked "Allegro moderato" and is more lively and rhythmic, with a syncopated melody in the right hand. The third movement is marked "Andante sostenuto" and is more contemplative, with a gentle melody in the right hand and a sustained pedal tone in the left hand. The final movement is marked "Allegro con fuoco" and is the most energetic of the four, with a driving rhythm and a virtuosic melody in the right hand. Karg-Elert's style is characterized by his use of chromaticism and his innovative approach to harmony and form. He was influenced by the music of Richard Wagner and the French impressionists, and his music often features lush harmonies and colorful textures. "Ringe recht, wenn Gottes Gnade" is a prime example of his style, with its rich harmonies and intricate counterpoint. Overall, "Ringe recht, wenn Gottes Gnade" is a powerful and expressive work that showcases Karg-Elert's skill as a composer and his deep understanding of the organ as an instrument. Its message of faith and perseverance is as relevant today as it was when the hymn was first written centuries ago.More....
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Ring right by the grace of God, Op. 65/32
Ringe recht, wenn Gottes Gnade, Chorale-Improvisations, Op. 65/32
1:55