Composer

:

Mauricio Kagel

Genre

:

Keyboard

Style

:

Improvisation

Compose Date

:

1961 - 1962

Average_duration

:

15:19

Mauricio Kagel's "Improvisation ajoutée" is a contemporary composition that was premiered in 1989. The piece is divided into three movements, each with its own unique characteristics. The first movement, titled "Improvisation ajoutée I," is characterized by its use of extended techniques on the instruments. The performers are instructed to play their instruments in unconventional ways, such as blowing into the strings of a piano or using a bow on a cymbal. The result is a chaotic and unpredictable sound that is meant to evoke the feeling of improvisation. The second movement, "Improvisation ajoutée II," is more structured than the first. It features a series of short musical phrases that are repeated and developed throughout the movement. The phrases are played by different instruments, creating a layered and complex texture. The movement ends with a sudden stop, leaving the listener with a sense of unresolved tension. The final movement, "Improvisation ajoutée III," is the most experimental of the three. It features a series of musical gestures that are performed by the musicians in a random order. The gestures range from simple notes to complex rhythms and textures. The performers are instructed to respond to each other's gestures, creating a sense of improvisation and collaboration. Overall, "Improvisation ajoutée" is a challenging and unconventional composition that pushes the boundaries of traditional music. It requires skilled performers who are willing to experiment with their instruments and embrace the unpredictable nature of the piece. Despite its difficulty, the composition has been well-received by audiences and critics alike, cementing Kagel's reputation as one of the most innovative composers of the 20th century.

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