Composer

:

Wilhelm Furtwängler

Genre

:

Symphony

Style

:

Symphony

Average_duration

:

61:58

Movement_count

:

4

Movement ....

Wilhelm Furtwängler's Symphony No. 3 in C sharp minor is a monumental work that was composed between 1946 and 1948. The symphony was premiered on October 7, 1948, by the Berlin Philharmonic Orchestra, with Furtwängler conducting. The symphony is divided into four movements, each with its own distinct character and mood. The first movement, marked Allegro moderato, begins with a somber and brooding theme in the strings. The theme is then taken up by the woodwinds and brass, building to a powerful climax. The second theme is more lyrical and hopeful, but the overall mood remains dark and introspective. The movement ends with a return to the opening theme, now transformed into a triumphant and majestic statement. The second movement, marked Scherzo, is a lively and playful dance in triple meter. The main theme is introduced by the strings and then taken up by the woodwinds and brass. The middle section is more subdued, with a lyrical theme in the strings. The scherzo theme returns, leading to a frenzied and exhilarating conclusion. The third movement, marked Adagio, is the emotional heart of the symphony. It begins with a hauntingly beautiful theme in the strings, which is then taken up by the woodwinds and brass. The theme is developed and transformed throughout the movement, building to a powerful climax. The mood is one of profound sadness and longing, but also of hope and transcendence. The final movement, marked Allegro, is a triumphant and exuberant celebration. It begins with a fanfare-like theme in the brass, which is then taken up by the strings. The main theme is joyful and energetic, with a sense of forward momentum. The middle section is more introspective, with a lyrical theme in the strings. The main theme returns, leading to a thrilling and triumphant conclusion. Overall, Furtwängler's Symphony No. 3 in C sharp minor is a deeply emotional and powerful work, with a sense of grandeur and nobility. The symphony reflects the composer's own struggles with the aftermath of World War II and his belief in the power of music to transcend suffering and bring hope and healing.

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