Composer

:

Samuel Wesley

Genre

:

Choral

Style

:

Magnificat

Average_duration

:

8:19

Samuel Wesley's "Magnificat Anima Mea" is a choral work that was composed in the late 18th century. It was first performed in 1788 at the Chapel Royal in London. The piece is divided into six movements, each of which is based on a different section of the Magnificat, a hymn of praise to the Virgin Mary. The first movement, "Magnificat anima mea Dominum," is a lively and joyful setting of the opening lines of the Magnificat. The choir sings in unison, with occasional harmonies and counterpoint, while the organ provides a lively accompaniment. The second movement, "Et exultavit spiritus meus," is a solo for alto or soprano. It is a more introspective and contemplative piece, with a slower tempo and more complex harmonies. The soloist sings of the joy and wonder that Mary felt upon learning that she would bear the Son of God. The third movement, "Quia respexit humilitatem," is a duet for soprano and tenor. It is a gentle and tender piece, with a simple melody and delicate harmonies. The singers express Mary's gratitude for God's mercy and kindness. The fourth movement, "Quia fecit mihi magna," is a solo for bass. It is a more dramatic and forceful piece, with a faster tempo and more complex rhythms. The soloist sings of the great things that God has done for Mary, and for all of humanity. The fifth movement, "Et misericordia," is a duet for alto and tenor. It is a gentle and flowing piece, with a simple melody and harmonies that evoke a sense of peace and serenity. The singers express Mary's gratitude for God's mercy and compassion. The final movement, "Gloria Patri," is a lively and triumphant setting of the doxology that concludes the Magnificat. The choir sings in unison, with occasional harmonies and counterpoint, while the organ provides a lively accompaniment. The piece ends with a joyful and exultant flourish. Overall, Samuel Wesley's "Magnificat Anima Mea" is a beautiful and expressive choral work that captures the spirit of the Magnificat. Its six movements offer a range of moods and emotions, from joy and wonder to gratitude and awe. The piece is a testament to Wesley's skill as a composer, and to his deep faith and devotion.

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