Composer

:

Karl Goldmark

Genre

:

Orchestral

Style

:

Orchestral

Average_duration

:

17:17

Prometheus Bound, Op. 38 is a symphonic poem composed by Karl Goldmark in 1889. The piece is based on the Greek myth of Prometheus, who stole fire from the gods and was punished by being chained to a rock and having his liver eaten by an eagle every day. The premiere of the piece was on November 24, 1889, in Vienna, conducted by Hans Richter. The piece is divided into three movements. The first movement, titled "Prometheus in Chains," begins with a slow, mournful theme played by the cellos and basses, representing Prometheus's suffering. The theme is then taken up by the violins and gradually builds in intensity as the other instruments join in. The movement ends with a powerful climax as the orchestra portrays Prometheus's defiance in the face of his punishment. The second movement, titled "Prometheus Unbound," is more optimistic and triumphant. It begins with a fanfare-like theme played by the brass and percussion, representing Prometheus's release from his chains. The theme is then taken up by the strings and develops into a joyful and celebratory melody. The movement ends with a grand finale as the orchestra portrays Prometheus's victory over the gods. The final movement, titled "Prometheus's Gift," is a slow and contemplative piece. It begins with a gentle theme played by the woodwinds and develops into a lush and romantic melody played by the strings. The movement ends with a quiet and peaceful coda as the orchestra portrays Prometheus's gift of fire to humanity. Overall, Prometheus Bound, Op. 38 is a powerful and dramatic piece that showcases Goldmark's skill as a composer. The piece is characterized by its use of rich harmonies, lush orchestration, and powerful climaxes. It is a testament to the enduring appeal of the Prometheus myth and remains a popular piece in the orchestral repertoire.

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