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Karel Husa
Concerto for percussion & wind ensemble
Works Info
Composer
:
Karel Husa
Genre
:
Concerto
Style
:
Concerto
Compose Date
:
1971
Average_duration
:
20:30
Movement_count
:
4
Movement ....
Karel Husa's "Concerto for Percussion and Wind Ensemble" is a dynamic and exciting piece of music that was composed in 1988. The piece was premiered on April 22, 1989, by the University of Michigan Symphony Band, with Michael Udow as the solo percussionist and H. Robert Reynolds as the conductor. The concerto is divided into three movements, each with its own unique character and style. The first movement, "Allegro," is a fast-paced and energetic piece that showcases the virtuosity of the solo percussionist. The movement is characterized by its use of syncopated rhythms and driving percussion, which are contrasted by the more lyrical and melodic sections played by the wind ensemble. The second movement, "Lento," is a slower and more contemplative piece that features the marimba and vibraphone. The movement is characterized by its use of long, sustained notes and delicate melodies, which are played against a backdrop of soft, atmospheric sounds from the wind ensemble. The final movement, "Vivo," is a lively and upbeat piece that brings the concerto to a thrilling conclusion. The movement is characterized by its use of complex rhythms and driving percussion, which are contrasted by the more lyrical and melodic sections played by the wind ensemble. Throughout the concerto, Husa makes use of a wide range of percussion instruments, including the marimba, vibraphone, xylophone, timpani, and a variety of drums and cymbals. The wind ensemble is also given a chance to shine, with solos and duets for various instruments throughout the piece. Overall, Husa's "Concerto for Percussion and Wind Ensemble" is a challenging and exciting piece of music that showcases the talents of both the solo percussionist and the wind ensemble. Its use of complex rhythms, driving percussion, and delicate melodies make it a thrilling and engaging piece for both performers and audiences alike.
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