Composer

:

Marcel Dupré

Genre

:

Keyboard

Style

:

Keyboard

Average_duration

:

4:39

Marcel Dupré's 'Pièces (7) for organ, Final, Op. 27/7' is a collection of seven pieces for the organ, composed in 1912. The work was premiered by Dupré himself in 1913 at the Église Saint-Sulpice in Paris, where he was the titular organist. The seven movements of the work are as follows: 1. Prelude: This movement is characterized by its flowing, arpeggiated figures and its use of chromatic harmonies. It builds to a climax before subsiding into a quiet coda. 2. Fugue: The second movement is a fugue in three voices, with a lively, syncopated subject. The fugue is notable for its use of stretto, where the voices overlap and imitate each other in quick succession. 3. Canzona: The third movement is a lyrical, song-like piece in a slow tempo. It features a simple, expressive melody that is passed between the hands and pedals. 4. Scherzo: The fourth movement is a playful, fast-paced scherzo. It is characterized by its use of staccato articulation and its rhythmic vitality. 5. Cantabile: The fifth movement is a slow, expressive piece that showcases the organ's ability to sustain long, singing lines. It features a soaring melody that is accompanied by rich harmonies. 6. Élégie: The sixth movement is a mournful, introspective piece. It is characterized by its use of dissonant harmonies and its somber, melancholy mood. 7. Final: The final movement is a virtuosic tour-de-force that showcases the full range of the organ's capabilities. It is characterized by its fast tempo, its use of complex rhythms and harmonies, and its thrilling climax. Overall, Dupré's 'Pièces (7) for organ, Final, Op. 27/7' is a masterful work that demonstrates his skill as a composer and his virtuosity as an organist. Its seven movements showcase a wide range of moods and styles, from the playful scherzo to the mournful elegy to the thrilling final. It remains a staple of the organ repertoire to this day.

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