Composer

:

Johann Hermann Schein

Genre

:

Choral

Style

:

Motet

Publication Date

:

1623

Average_duration

:

4:03

Johann Hermann Schein's "Siehe, nach Trost war mir sehr bange (Israelis Brünlein No. 18)" is a sacred vocal work that was composed in the early 17th century. The piece was first published in 1623 as part of Schein's collection of sacred vocal music, "Israelis Brünlein." The premiere of the work is not known, but it is likely that it was performed in a church setting. The piece is divided into three movements, each of which is based on a different biblical text. The first movement is based on Psalm 31:10, the second on Psalm 51:12, and the third on Psalm 116:7. The text of the piece is in German and is a prayer for comfort and salvation. The first movement begins with a mournful melody sung by the alto voice, accompanied by a simple organ accompaniment. The other voices gradually join in, creating a rich and complex texture. The second movement is more upbeat, with a lively melody and a more complex organ accompaniment. The third movement returns to the mournful tone of the first, with a simple melody and sparse accompaniment. One of the characteristics of Schein's music is his use of chromaticism, which is evident in "Siehe, nach Trost war mir sehr bange." This technique involves using notes that are not part of the traditional diatonic scale, creating a sense of tension and dissonance. Schein also uses a variety of textures and vocal combinations in his music, creating a rich and varied sound. Overall, "Siehe, nach Trost war mir sehr bange" is a beautiful and moving piece of sacred vocal music that showcases Schein's skill as a composer. Its use of biblical texts and its prayerful tone make it a fitting addition to any church service or sacred music concert.

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