Composer

:

Johann Christoph Bach

Genre

:

Keyboard

Style

:

Keyboard

Average_duration

:

1:58

Johann Christoph Bach's "An Wasserflüssen Babylon" is a sacred vocal work composed in the early 17th century. The exact date of composition is unknown, but it is believed to have been written between 1660 and 1670. The piece is a setting of Psalm 137, which laments the exile of the Israelites in Babylon. The work is scored for four voices (soprano, alto, tenor, and bass) and continuo. It is divided into six movements, each of which reflects a different aspect of the psalm text. The first movement is a somber and mournful setting of the opening verses of the psalm, in which the Israelites weep by the rivers of Babylon. The second movement is a lively and dance-like setting of the verse "Wir hängten unsere Harfen an die Weiden," in which the Israelites refuse to sing for their captors. The third movement is a contemplative setting of the verse "Wie sollen wir singen ein Lied des Herrn," in which the Israelites struggle to find the words to praise God in their exile. The fourth movement is a plaintive setting of the verse "Vergiß mein nicht, du treuer Gott," in which the psalmist begs God not to forget his people. The fifth movement is a joyful and triumphant setting of the verse "Wohl dem, der dich, Herr, fürchtet," in which the psalmist declares that those who fear God will be blessed. The final movement is a return to the somber mood of the opening, with a setting of the final verses of the psalm in which the psalmist vows never to forget Jerusalem. The characteristics of "An Wasserflüssen Babylon" reflect the style of the early Baroque period. The work is characterized by its use of contrasting textures and dynamics, with moments of intense emotion followed by moments of quiet reflection. The vocal lines are highly ornamented, with frequent use of trills, runs, and other decorative techniques. The continuo part is also highly ornamented, with frequent use of arpeggios and other figurations. The work is notable for its expressive use of dissonance, with moments of tension and release that reflect the emotional content of the psalm text. "An Wasserflüssen Babylon" was likely first performed in a church setting, as part of a larger service or concert. The work has since become a staple of the choral repertoire, and is frequently performed and recorded by choirs around the world. Its enduring popularity is a testament to the enduring power of Bach's music, and to the timeless themes of exile, loss, and faith that it explores.

More....