Composer

:

Johann Pachelbel

Genre

:

Keyboard

Style

:

Fugue

Compose Date

:

before Apr 1706

Average_duration

:

1:48

Johann Pachelbel's Magnificat Fugue in tone 1, No. 17, T. 117 is a choral work that was composed in the Baroque era. It was written in the key of D major and is scored for SATB choir and continuo. The piece was likely composed in the early 1700s, although the exact date is unknown. The Magnificat Fugue is part of Pachelbel's larger Magnificat in D major, which is a setting of the Magnificat text from the Gospel of Luke. The Magnificat is a hymn of praise that is traditionally sung during vespers, and Pachelbel's setting is a prime example of Baroque choral music. The Magnificat Fugue is the seventeenth movement of the Magnificat and is one of the most famous and beloved pieces in the work. It is a four-part fugue that begins with a subject that is introduced by the alto voice. The subject is then imitated by the other voices in turn, creating a complex and intricate web of counterpoint. The Magnificat Fugue is characterized by its lively and energetic tempo, as well as its intricate and complex counterpoint. The piece is a masterful example of Baroque fugue writing, with each voice contributing to the overall texture of the piece. The use of the continuo also adds to the richness of the piece, providing a harmonic foundation for the voices to build upon. The Magnificat Fugue in tone 1, No. 17, T. 117 was likely premiered in a church setting, as it was written for liturgical use. Today, it is still frequently performed in churches and concert halls around the world, and is considered one of Pachelbel's most enduring works.

More....