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Heinrich Scheidemann
Magnificat im 7 Ton
Works Info
Composer
:
Heinrich Scheidemann
Genre
:
Choral
Style
:
Magnificat
Average_duration
:
9:18
Heinrich Scheidemann's 'Magnificat im 7 Ton' is a choral work that was composed in the early 17th century. The piece was premiered in Hamburg, Germany, where Scheidemann was the organist at the St. Catherine's Church. The 'Magnificat im 7 Ton' is a setting of the Magnificat, which is a hymn of praise to the Virgin Mary. The piece is written for a choir and a small ensemble of instruments, including violins, violas, and continuo. The 'Magnificat im 7 Ton' is divided into seven movements, each of which corresponds to one of the seven tones of the Gregorian chant. The first movement is in the Dorian mode, the second in the Phrygian mode, the third in the Lydian mode, the fourth in the Mixolydian mode, the fifth in the Aeolian mode, the sixth in the Ionian mode, and the seventh in the Locrian mode. Each movement is characterized by its own unique melodic and harmonic features, which reflect the mood and tone of the text. The first movement of the 'Magnificat im 7 Ton' is a lively and joyful setting of the opening lines of the Magnificat. The second movement is more subdued and introspective, reflecting the humility and reverence of the text. The third movement is characterized by its use of suspensions and dissonances, which create a sense of tension and release. The fourth movement is a lively and energetic setting of the text, with a driving rhythm and lively melodic lines. The fifth movement is more contemplative, with a slower tempo and more introspective harmonies. The sixth movement is a triumphant setting of the text, with a grand and majestic character. The final movement is a quiet and reflective setting of the closing lines of the Magnificat, with a sense of peaceful resolution. Overall, the 'Magnificat im 7 Ton' is a masterful work of choral music, characterized by its rich harmonies, intricate counterpoint, and expressive melodies. Scheidemann's use of the different modes and his skillful handling of the text create a work that is both musically and spiritually profound.
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