Composer

:

Enriqué Granados

Genre

:

Vocal

Style

:

Song

Publication Date

:

1916

First Performance

:

1915

Average_duration

:

1:39

Enriqué Granados was a Spanish composer and pianist who lived from 1867 to 1916. He was known for his contributions to the Spanish nationalistic movement in music, which sought to incorporate traditional Spanish folk music into classical compositions. One of his most famous works is "No lloréis ojuelos," which was composed in 1911. "No lloréis ojuelos" is a song for voice and piano, and it is part of Granados' collection of Tonadillas al estilo antiguo, Op. 37. The song is based on a traditional Spanish folk melody, and it is written in the style of a tonadilla, which is a type of Spanish song that was popular in the 18th century. The lyrics of the song are in Spanish, and they tell the story of a woman who is crying over a lost love. The premiere of "No lloréis ojuelos" took place in 1911, and it was performed by the Spanish soprano Conchita Supervía. The song is divided into three movements, each of which has its own distinct characteristics. The first movement is marked "Allegretto," and it begins with a piano introduction that sets the mood for the song. The melody of the first verse is simple and plaintive, with the voice and piano alternating in a call-and-response pattern. The second verse is more complex, with the piano taking on a more prominent role and the voice soaring to a higher register. The movement ends with a repeat of the first verse, but with a more elaborate piano accompaniment. The second movement is marked "Andante," and it is more introspective than the first. The piano introduction is more subdued, and the melody of the first verse is more melancholy. The second verse is more dramatic, with the voice rising to a higher register and the piano playing a more complex accompaniment. The movement ends with a repeat of the first verse, but with a more subdued piano accompaniment. The third movement is marked "Allegro," and it is the most lively and upbeat of the three. The piano introduction is more energetic, and the melody of the first verse is more playful. The second verse is more complex, with the voice and piano playing off each other in a lively dance. The movement ends with a repeat of the first verse, but with a more elaborate piano accompaniment. Overall, "No lloréis ojuelos" is a beautiful example of Granados' ability to incorporate traditional Spanish folk music into classical compositions. The song is both simple and complex, with a melody that is both plaintive and playful. It is a testament to Granados' skill as a composer and his love for the music of his homeland.

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