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Silvestre Revueltas
String Quartet No. 4 "Música de Feria"
Works Info
Composer
:
Silvestre Revueltas
Genre
:
Chamber
Style
:
Quartet
Compose Date
:
1932
Publication Date
:
1967
Average_duration
:
9:09
Silvestre Revueltas was a Mexican composer, violinist, and conductor who was born on December 31, 1899, in Santiago Papasquiaro, Durango, Mexico. He was one of the most important composers of the 20th century in Mexico, and his music was characterized by its rhythmic complexity, dissonance, and use of folk elements. One of his most famous works is the String Quartet No. 4 Música de Feria, which was composed in 1932. The String Quartet No. 4 Música de Feria is a four-movement work that was premiered on October 23, 1933, in Mexico City. The first movement, titled "El circo" (The Circus), is a lively and rhythmic piece that evokes the sounds and atmosphere of a circus. The second movement, "La feria" (The Fair), is a slower and more contemplative piece that features a haunting melody played by the first violin. The third movement, "Los payasos" (The Clowns), is a playful and energetic piece that features a syncopated rhythm and a lively melody. The final movement, "La danza" (The Dance), is a fast and frenetic piece that features a driving rhythm and a lively melody. The String Quartet No. 4 Música de Feria is characterized by its use of folk elements, including Mexican rhythms and melodies. The work is also notable for its use of dissonance and rhythmic complexity, which give the music a modern and avant-garde feel. The work is considered one of Revueltas' most important compositions and is a testament to his unique style and innovative approach to music. In conclusion, the String Quartet No. 4 Música de Feria is a four-movement work composed by Silvestre Revueltas in 1932. The work was premiered in Mexico City in 1933 and is characterized by its use of folk elements, dissonance, and rhythmic complexity. The work is considered one of Revueltas' most important compositions and is a testament to his unique style and innovative approach to music.
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