Composer

:

Robert Schumann

Genre

:

Vocal

Compose Date

:

1849

Average_duration

:

1:44

'Vom Schlaraffenland ('Kommt, wir wollen uns begeben') (Lieder-Album für die Jugend), Op. 79/5' is a song composed by Robert Schumann in 1849. It was premiered in the same year and is part of his Lieder-Album für die Jugend (Song Album for the Young), Op. 79. The song has a playful and whimsical character, which is typical of Schumann's style. The song is divided into three movements, each with its own distinct character. The first movement is marked "Allegro vivace" and is in the key of C major. It begins with a lively and energetic melody played by the piano, which is then joined by the voice. The lyrics describe a journey to the land of the lazy, where everything is easy and there is no need to work. The music reflects this carefree attitude, with a bouncy and playful rhythm. The second movement is marked "Andante con moto" and is in the key of A minor. It has a more melancholic character, with a slower tempo and a more introspective melody. The lyrics describe the dangers of the land of the lazy, where one can become trapped and lose all motivation. The music reflects this sense of danger and uncertainty, with a more somber and uncertain tone. The third movement is marked "Allegro" and is in the key of C major. It returns to the playful and whimsical character of the first movement, with a lively and energetic melody played by the piano. The lyrics describe the return journey from the land of the lazy, with a renewed sense of purpose and motivation. The music reflects this sense of renewal, with a triumphant and joyful tone. Overall, 'Vom Schlaraffenland ('Kommt, wir wollen uns begeben') (Lieder-Album für die Jugend), Op. 79/5' is a charming and delightful song that captures the playful and whimsical spirit of Schumann's music. Its three movements offer a range of emotions and moods, from carefree joy to introspective melancholy to triumphant renewal. It is a testament to Schumann's skill as a composer and his ability to capture the essence of human experience in his music.

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