Composer

:

Charles-Valentin Alkan

Genre

:

Keyboard

Style

:

March

Compose Date

:

1857

Publication Date

:

1857

Charles-Valentin Alkan's 'Marches Quasi da Cavalleria (3), Op. 37' is a set of three marches for piano, composed in 1844. The piece was premiered in Paris in the same year, and was well-received by audiences and critics alike. The first movement, marked 'Allegro', is a lively and energetic march in C major. It features a strong, rhythmic melody in the right hand, accompanied by a driving bass line in the left hand. The middle section of the movement is more subdued, with a slower tempo and a more lyrical melody. However, the energy and momentum of the opening section returns for the final section, bringing the movement to a rousing conclusion. The second movement, marked 'Moderato', is a more introspective and melancholy march in A minor. The melody is more subdued and contemplative, with a sense of longing and nostalgia. The middle section of the movement features a more complex and intricate melody, with a sense of tension and conflict. However, the movement ends on a more peaceful and reflective note, with a return to the opening melody. The third and final movement, marked 'Allegro', is a fast and furious march in G minor. It features a driving, syncopated rhythm in the right hand, accompanied by a relentless bass line in the left hand. The middle section of the movement is more subdued, with a slower tempo and a more lyrical melody. However, the energy and momentum of the opening section returns for the final section, bringing the movement to a thrilling and triumphant conclusion. Overall, 'Marches Quasi da Cavalleria (3), Op. 37' is a virtuosic and challenging work for the piano, showcasing Alkan's technical prowess and musical imagination. The piece is characterized by its strong rhythmic drive, complex harmonies, and dramatic contrasts of mood and tempo. It remains a popular and frequently-performed work in the piano repertoire.

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