Composer

:

Sofia Gubaidulina

Genre

:

Chamber

Style

:

Sonata

Compose Date

:

1985

Average_duration

:

17:59

Movement_count

:

5

Movement ....

"Et expecto, sonata for bayan" is a composition by the Russian composer Sofia Gubaidulina. It was composed in 1989 and premiered in the same year in Moscow. The piece is divided into three movements and is written for the bayan, a type of Russian accordion. The first movement, "Introduzione," begins with a slow and mysterious introduction that sets the tone for the entire piece. The bayan plays a series of sustained chords that gradually build in intensity, creating a sense of anticipation. The movement then transitions into a faster section that features complex rhythms and intricate melodic lines. The bayan's virtuosic playing is on full display here, as it navigates the challenging passages with ease. The second movement, "Toccata," is a fast and frenetic piece that showcases the bayan's percussive capabilities. Gubaidulina employs a variety of extended techniques, such as glissandos and tremolos, to create a sense of urgency and excitement. The movement is characterized by its driving rhythms and dissonant harmonies, which create a sense of tension and release. The final movement, "Ritorno perpetuo," is a slow and contemplative piece that brings the sonata to a peaceful conclusion. The bayan plays a series of sustained chords that gradually fade away, creating a sense of finality. The movement is characterized by its use of silence and space, which allow the listener to reflect on the journey that has just taken place. Overall, "Et expecto, sonata for bayan" is a challenging and rewarding piece that showcases Gubaidulina's mastery of the bayan and her ability to create complex and evocative music. The piece is characterized by its use of extended techniques, complex rhythms, and dissonant harmonies, which create a sense of tension and release throughout the three movements.

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