Composer

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Alexander Scriabin

Genre

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Keyboard

Style

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Keyboard

Compose Date

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1911 - 1912

Average_duration

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2:12

Étrangeté, Op. 63/2 is a solo piano piece composed by Alexander Scriabin in 1911. The piece is part of a set of five preludes, Op. 63, which were composed during Scriabin's later years. The premiere of Étrangeté was given by the composer himself in Moscow in 1912. The piece is characterized by its dreamlike and mysterious quality, with Scriabin's use of dissonant harmonies and unconventional chord progressions creating an otherworldly atmosphere. The title, which translates to "strangeness" or "oddity," reflects this sense of the uncanny. Étrangeté is divided into three distinct sections, or movements. The first section begins with a series of descending chords, which gradually build in intensity before giving way to a more lyrical melody. The second section is marked by a sudden shift in mood, with Scriabin introducing a new, more agitated theme. This section is characterized by its frenzied energy and dissonant harmonies, which create a sense of tension and unease. The final section returns to the more contemplative mood of the opening, with Scriabin reintroducing the earlier melody and gradually bringing the piece to a close. Overall, Étrangeté is a haunting and evocative piece of music, showcasing Scriabin's unique approach to harmony and his ability to create a sense of otherworldly beauty.

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