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Carlo Gesualdo
Sparge la morte al mio Signor, W. 4/42
Works Info
Composer
:
Carlo Gesualdo
Genre
:
Vocal
Style
:
Madrigal
Compose Date
:
1596
Average_duration
:
4:18
Carlo Gesualdo, Prince of Venosa, was an Italian composer of the late Renaissance period. He is known for his highly expressive and chromatic music, which was ahead of its time and anticipated many features of Baroque music. One of his most famous works is "Sparge la morte al mio Signor," a sacred madrigal for five voices. The composition was written in 1611, towards the end of Gesualdo's life. It is part of his sixth book of madrigals, which is dedicated to sacred music. The premiere of the work is not known, but it was likely performed in the chapel of Gesualdo's palace in Naples, where he spent most of his life. "Sparge la morte al mio Signor" is divided into three movements, each with a different text. The first movement is a setting of the Latin text "Sparge la morte al mio Signor" (Pour death upon my Lord), which is a prayer for the forgiveness of sins. The second movement is a setting of the Italian text "O vos omnes qui transitis per viam" (O all you who pass by the way), which is a lamentation for the suffering of Christ. The third movement is a setting of the Latin text "Sepulto Domino" (With the Lord buried), which is a meditation on the death and resurrection of Christ. The music of "Sparge la morte al mio Signor" is characterized by its intense chromaticism and expressive dissonances. Gesualdo uses unusual harmonies and sudden shifts in tonality to create a sense of emotional tension and drama. The vocal lines are highly ornamented and often cross over each other, creating a complex and intricate texture. The work is also notable for its use of word-painting, where the music reflects the meaning of the text. Overall, "Sparge la morte al mio Signor" is a powerful and deeply moving work that showcases Gesualdo's unique musical style. Its combination of intense emotion and technical complexity make it a masterpiece of the late Renaissance period.
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