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Pierre Attaingnant
Pavane 18, 6 parts
Works Info
Composer
:
Pierre Attaingnant
Genre
:
Chamber
Style
:
Chamber Music
Compose Date
:
1530
Average_duration
:
1:49
Pavane 18, 6 parts is a Renaissance dance piece composed by Pierre Attaingnant, a French music publisher and composer. The piece was composed in the 16th century and was first published in 1530 in Paris. It is believed to have been premiered in the French court during the reign of King Francis I. The Pavane 18, 6 parts is a six-part composition that is characterized by its slow and stately tempo. The piece is written in the key of G major and is structured in a binary form, with two sections that are repeated. The first section is in duple meter and the second section is in triple meter. The piece begins with a simple and elegant melody played by the first viola. The other instruments gradually join in, creating a rich and harmonious texture. The melody is then passed between the different instruments, with each taking turns to play the main theme. The piece is notable for its use of counterpoint, with each instrument playing a distinct and independent melody that blends together to create a complex and beautiful sound. The Pavane 18, 6 parts is a prime example of Renaissance dance music, which was popular in the courts of Europe during the 16th century. The piece is characterized by its graceful and elegant style, which was intended to be danced to by the nobility. The Pavane was a slow and stately dance that was often performed in pairs, with the dancers moving in a formal and dignified manner. Overall, the Pavane 18, 6 parts is a beautiful and timeless piece of music that showcases the skill and artistry of Pierre Attaingnant. Its elegant melody and intricate harmonies make it a classic example of Renaissance dance music, and it continues to be enjoyed and appreciated by music lovers around the world.
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Works Music
Released Music
2
Pavane 18, 6 servings  Pavane 18 (Quatorze Pavanes... le tout réduit de musique en la tablature du jeu d'Orgue, Espinette et Manicordion et telz semblables instruments musicaux)
1:14
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