Composer

:

Alexander Scriabin

Genre

:

Keyboard

Style

:

Prelude

Compose Date

:

1895 - 1896

Average_duration

:

0:58

Alexander Scriabin's Prelude for piano in E flat major, Op. 17/2, was composed in 1894 and premiered the same year in Moscow. The piece is part of a set of 24 preludes, each in a different key, that Scriabin composed between 1894 and 1895. The Prelude in E flat major is a short, lyrical piece that showcases Scriabin's unique harmonic language and his use of chromaticism. The piece is in ternary form, with a gentle, flowing melody in the A section that is contrasted by a more agitated, virtuosic B section. The A section returns at the end of the piece, but with a more elaborate and ornamented version of the melody. One of the most striking characteristics of Scriabin's Prelude in E flat major is its use of harmony. Scriabin was known for his innovative approach to harmony, which often involved the use of complex chords and unconventional progressions. In this piece, he uses a variety of chords, including augmented triads and dominant seventh chords with added ninths and elevenths. The result is a rich, colorful sound that is both expressive and harmonically adventurous. Another notable feature of the Prelude in E flat major is its use of chromaticism. Scriabin frequently employs chromaticism in his music, using notes outside of the key to create tension and dissonance. In this piece, he uses chromaticism to great effect, particularly in the B section, where the melody is accompanied by a series of descending chromatic chords that create a sense of unease and restlessness. Overall, Scriabin's Prelude for piano in E flat major, Op. 17/2, is a beautiful and expressive piece that showcases the composer's unique harmonic language and his mastery of the piano. Its lyrical melodies, virtuosic passages, and innovative harmonies make it a favorite among pianists and audiences alike.

More....