Composer

:

Orlande de Lassus

Genre

:

Choral

Style

:

Choral

Publication Date

:

1604

Average_duration

:

0:42

'Laudent Deum cythara, M. xxi (S. iii/58)' is a sacred motet composed by Orlande de Lassus, a prominent composer of the late Renaissance period. The piece was composed in the late 16th century, around 1575-1580, and was premiered in Munich, where Lassus was employed as a court musician. The motet is written for six voices, with two soprano, alto, tenor, baritone, and bass parts. It is divided into three movements, each with its own distinct character and musical style. The first movement is a lively and joyful setting of the text "Laudate Dominum in cithara," which translates to "Praise the Lord with the harp." The second movement is a more contemplative and introspective setting of the text "Cantate ei canticum novum," which means "Sing to him a new song." The final movement returns to the joyful mood of the first, with a setting of the text "Laudate eum in tympano et choro," which means "Praise him with the timbrel and dance." The motet is characterized by Lassus' skillful use of polyphony, with each voice part weaving in and out of the others to create a rich and complex texture. The harmonies are often unexpected and surprising, adding to the sense of excitement and joy in the music. Lassus also employs a variety of musical techniques, such as imitation and canon, to create a sense of unity and coherence throughout the piece. Overall, 'Laudent Deum cythara' is a masterful example of Renaissance sacred music, showcasing Lassus' skill as a composer and his ability to create music that is both technically complex and emotionally powerful.

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