Composer

:

Orlande de Lassus

Genre

:

Choral

Publication Date

:

1577

Average_duration

:

4:08

"Dixit Martha. xviii (S. xxi/98)" is a sacred choral work composed by Orlande de Lassus, a prominent composer of the late Renaissance period. The piece was composed in the late 16th century and premiered in Munich, Germany. It is a part of Lassus' larger collection of sacred works, which includes over 2,000 pieces. The piece is divided into three movements, each of which is characterized by its own unique musical style and structure. The first movement is a motet, which features a complex polyphonic texture and intricate vocal lines. The second movement is a hymn, which is characterized by its simple, homophonic texture and straightforward melody. The final movement is a psalm, which features a more complex structure and a greater emphasis on harmony and counterpoint. One of the most notable characteristics of "Dixit Martha. xviii (S. xxi/98)" is its use of chromaticism. Lassus was known for his innovative use of chromaticism, which involved the use of notes outside of the traditional diatonic scale. This technique adds a sense of tension and drama to the piece, and is particularly effective in the motet movement. Another notable characteristic of the piece is its use of word painting. Lassus was known for his ability to match the music to the meaning of the text, and "Dixit Martha. xviii (S. xxi/98)" is no exception. For example, in the motet movement, the text "et non est qui consoletur eam" ("and there is no one to console her") is set to a mournful, dissonant passage that conveys a sense of sadness and despair. Overall, "Dixit Martha. xviii (S. xxi/98)" is a masterful example of Lassus' skill as a composer. Its complex polyphonic texture, innovative use of chromaticism, and effective word painting make it a standout work of the late Renaissance period.

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