Composer

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Sebastián Aguilera de Heredia

Genre

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Keyboard

Style

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Keyboard

Average_duration

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1:49

Sebastián Aguilera de Heredia was a Spanish organist and composer who lived from 1561 to 1627. He was born in Saragossa and spent most of his life in the region of Aragon. He is known for his collection of organ music, "El Organo de la Catedral de la Seo de Zaragoza," which contains a variety of pieces for the organ, including hymns, toccatas, and variations. One of the most famous pieces in this collection is "Falsas de Sexto Tono," which was composed in the late 16th century. The piece is written in the sixth mode, which was a popular mode for Spanish organ music at the time. It is a set of variations on a theme, with each variation becoming increasingly complex and virtuosic. The premiere of "Falsas de Sexto Tono" is not known, but it was likely performed in the Cathedral of Saragossa, where Aguilera de Heredia was the organist. The piece is divided into six movements, each with its own distinct character and style. The first movement is a simple statement of the theme, which is a short, melodic phrase that is repeated throughout the piece. The second movement is a variation on the theme, with the melody played in the left hand and a series of fast, ornamented figures in the right hand. The third movement is a more complex variation, with the melody played in the pedals and the right hand playing a series of fast, virtuosic runs. The fourth movement is a slower, more contemplative variation, with the melody played in the right hand and a series of chords in the left hand. The fifth movement is a lively, dance-like variation, with the melody played in the right hand and a series of fast, rhythmic figures in the left hand. The final movement is a grand, virtuosic variation, with the melody played in the pedals and a series of fast, complex runs in the right hand. Overall, "Falsas de Sexto Tono" is a virtuosic and complex piece of organ music that showcases Aguilera de Heredia's skill as a composer and organist. It is a testament to the rich tradition of Spanish organ music in the late Renaissance period.

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