Composer

:

Tomás Luis de Victoria

Genre

:

Choral

Style

:

Lamentation

Publication Date

:

1585

Average_duration

:

4:52

"Ego vir videns" is a sacred motet composed by the Spanish composer Tomás Luis de Victoria. The piece was composed in the late 16th century, during the Renaissance period, and was first performed in the Chapel Royal of Madrid in 1585. The motet is written for four voices, with the text taken from the Book of Revelation. The piece is divided into three movements, each with its own distinct character and mood. The first movement is marked "Allegro" and is characterized by its lively and energetic tempo. The music is full of rhythmic vitality, with the voices weaving in and out of each other in a complex and intricate counterpoint. The text of this movement speaks of the vision of the Lamb of God, and the music reflects the joy and exultation of this vision. The second movement is marked "Adagio" and is much more contemplative in character. The tempo is slow and measured, and the music is marked by its rich harmonies and expressive melodies. The text of this movement speaks of the Lamb's sacrifice, and the music reflects the solemnity and reverence of this sacrifice. The final movement is marked "Allegro" and is a return to the lively and energetic character of the first movement. The music is marked by its rhythmic vitality and complex counterpoint, with the voices weaving in and out of each other in a joyful and exultant celebration of the Lamb's victory over death. Overall, "Ego vir videns" is a masterful example of Renaissance polyphony, with its intricate counterpoint, rich harmonies, and expressive melodies. The piece is a testament to Victoria's skill as a composer and his deep understanding of the sacred texts that inspired his music.

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