Composer

:

Alan Hovhaness

Genre

:

Choral

Style

:

Cantata

Compose Date

:

1952 - 1955

Average_duration

:

22:12

Triptych, Op. 100 is a composition for orchestra by American composer Alan Hovhaness. It was composed in 1955 and premiered on January 12, 1956, by the Louisville Orchestra under the direction of Robert Whitney. The piece is divided into three movements, each with its own distinct character and mood. The first movement, titled "Meditation on Zeami," is a slow and contemplative piece that features a solo violin and a haunting melody that is reminiscent of Japanese traditional music. The second movement, "Hymn to Yerevan," is a lively and rhythmic piece that is inspired by Armenian folk music. The final movement, "Dance of the Stag-God," is a fast and energetic piece that features a driving rhythm and a lively melody that is reminiscent of a pagan ritual. One of the most notable characteristics of Triptych, Op. 100 is its use of non-Western musical elements. Hovhaness was known for his interest in Eastern music and philosophy, and this piece reflects that interest. The use of the solo violin in the first movement, for example, is reminiscent of the shakuhachi flute in Japanese music. The use of Armenian folk music in the second movement is also a nod to Hovhaness's heritage. Another characteristic of the piece is its use of modal harmonies and simple, repetitive melodies. This gives the piece a meditative quality that is in keeping with Hovhaness's interest in Eastern philosophy and spirituality. Overall, Triptych, Op. 100 is a unique and compelling work that showcases Hovhaness's interest in non-Western music and his ability to blend different musical traditions into a cohesive whole. Its premiere in 1956 was well-received, and it has since become a staple of the orchestral repertoire.

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