Composer

:

Carlos Guastavino

Genre

:

Chamber

Average_duration

:

7:05

"Las Presencias No. 7 (Rosita Iglesias)" is a piano solo composed by the Argentine composer Carlos Guastavino. The piece was composed in 1952 and premiered in Buenos Aires the same year. It is part of a collection of 20 piano pieces called "Las Presencias" (The Presences), which Guastavino composed between 1946 and 1957. The piece is divided into three movements, each with its own distinct character. The first movement is marked "Allegro moderato" and is characterized by its lively, rhythmic energy. The second movement, marked "Andante cantabile," is more lyrical and introspective, with a beautiful melody that is passed between the hands of the pianist. The final movement, marked "Allegro con brio," is a lively and energetic dance, with a driving rhythm and playful melodies. One of the hallmarks of Guastavino's music is his use of traditional Argentine folk melodies and rhythms. "Las Presencias No. 7 (Rosita Iglesias)" is no exception, with its use of syncopated rhythms and melodic motifs that are reminiscent of Argentine folk music. However, Guastavino's music is also characterized by its sophisticated harmonies and elegant melodies, which elevate the folk elements to a higher level of artistry. Overall, "Las Presencias No. 7 (Rosita Iglesias)" is a beautiful and engaging piano piece that showcases Guastavino's unique blend of folk and classical elements. Its three movements offer a range of moods and emotions, from lively and rhythmic to introspective and lyrical, making it a rewarding piece for both performers and listeners alike.

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