Composer

:

Morton Feldman

Genre

:

Film

Style

:

Film Score

Compose Date

:

1951

Average_duration

:

8:16

Movement_count

:

6

Movement ....

Music for the film Jackson Pollock is a soundtrack composed by Morton Feldman for the documentary film about the life and work of the American painter Jackson Pollock. The film was directed by Hans Namuth and Paul Falkenberg and was released in 1951. The soundtrack was composed in the same year and premiered at the Museum of Modern Art in New York City. The soundtrack consists of four movements, each of which is characterized by its slow and meditative pace. The first movement, titled "Prelude," sets the tone for the rest of the soundtrack with its sparse and delicate piano chords. The second movement, "Interlude 1," features a solo trumpet that plays a mournful melody over a backdrop of sustained strings. The third movement, "Interlude 2," is the shortest of the four and features a solo cello that plays a simple and repetitive melody. The final movement, "Postlude," brings the soundtrack to a close with a return to the sparse piano chords of the opening movement. One of the most notable characteristics of the soundtrack is its use of silence. Feldman was known for his use of silence in his compositions, and Music for the film Jackson Pollock is no exception. The spaces between the notes are just as important as the notes themselves, and the silence creates a sense of tension and anticipation that is characteristic of Feldman's work. Another characteristic of the soundtrack is its use of extended techniques. The trumpet in "Interlude 1" is played with a mute, which gives it a muted and melancholic sound. The cello in "Interlude 2" is played with a bow that is wrapped in paper, which creates a rasping and scratchy sound. These extended techniques add to the overall mood of the soundtrack and help to create a sense of unease and tension. Overall, Music for the film Jackson Pollock is a haunting and meditative soundtrack that perfectly captures the mood and spirit of the documentary film about the life and work of Jackson Pollock. Its use of silence and extended techniques make it a unique and innovative work that is characteristic of Morton Feldman's style.

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