Composer

:

Antonio Vivaldi

Genre

:

Vocal

Style

:

Motet

Compose Date

:

before 1742

Average_duration

:

13:17

Movement_count

:

4

Movement ....

Antonio Vivaldi's "In furore giustissimae irae, RV 626" is a sacred solo motet for soprano, strings, and continuo. It was composed in the early 1720s and premiered in Venice, Italy. The piece is divided into three movements, each with its own distinct characteristics. The first movement, "In furore giustissimae irae," is a fiery and dramatic aria that showcases the soprano's virtuosic abilities. The text, taken from Psalm 78, describes God's wrath and the destruction of the wicked. Vivaldi's music reflects the intensity of the text with fast, intricate runs and dramatic leaps in the vocal line. The strings provide a pulsing, driving accompaniment that adds to the sense of urgency and anger. The second movement, "Tunc meus fletus," is a slower, more introspective aria. The text, also from Psalm 78, describes the psalmist's sorrow and repentance for his sins. Vivaldi's music is more lyrical and expressive in this movement, with long, flowing lines in the vocal melody. The strings provide a gentle, supportive accompaniment that adds to the sense of introspection and reflection. The final movement, "Alleluia," is a joyful and triumphant aria that celebrates God's mercy and forgiveness. The text, taken from the Book of Tobit, praises God for his goodness and mercy. Vivaldi's music is exuberant and celebratory, with fast, joyful runs in the vocal line and lively, dance-like rhythms in the strings. The piece ends with a rousing "Alleluia" chorus that brings the work to a joyful and triumphant close. Overall, "In furore giustissimae irae" is a powerful and expressive work that showcases Vivaldi's skill as a composer and his ability to convey a wide range of emotions through music. The piece is a testament to Vivaldi's deep faith and his belief in the power of music to express the deepest human emotions.

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