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Antonio de Cabezón
Susana (after Lassus)
Works Info
Composer
:
Antonio de Cabezón
Genre
:
Keyboard
Style
:
Keyboard
Average_duration
:
3:26
Antonio de Cabezón was a Spanish composer and organist who lived during the Renaissance period. He was born in 1510 in Castrillo Mota de Judíos, Burgos, and died in 1566 in Madrid. Cabezón was one of the most important composers of his time, and his works were highly regarded by his contemporaries. One of Cabezón's most famous works is "Susana (after Lassus)," which is a set of variations on a popular song of the time. The piece is based on a chanson by the Flemish composer Orlando di Lasso, and it was composed for the keyboard instrument known as the clavichord. The composition of "Susana (after Lassus)" is believed to have taken place in the mid-16th century, although the exact date is unknown. The piece was first performed in the royal court of Spain, and it quickly became popular throughout Europe. The work is divided into several movements, each of which is based on a different variation of the original chanson. The first movement is a simple statement of the melody, followed by a series of variations that explore different aspects of the theme. The variations range from simple embellishments of the melody to complex contrapuntal textures. One of the characteristics of "Susana (after Lassus)" is its use of ornamentation. Cabezón was known for his skill in ornamentation, and this piece is a prime example of his ability to embellish a simple melody with intricate and beautiful decorations. Another characteristic of the piece is its use of counterpoint. Cabezón was a master of counterpoint, and he uses this technique to great effect in "Susana (after Lassus)." The variations are often complex and intricate, with multiple voices weaving in and out of each other in a beautiful and harmonious way. Overall, "Susana (after Lassus)" is a beautiful and complex work that showcases Cabezón's skill as a composer and his mastery of the keyboard. It is a testament to the rich musical tradition of the Renaissance period and continues to be admired and studied by musicians and music lovers today.
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