Composer

:

Nicolas de Grigny

Genre

:

Keyboard

Style

:

Keyboard

Average_duration

:

5:14

Nicolas de Grigny's 'Récit de tierce en taille' is a masterpiece of French Baroque organ music. It was composed in the late 17th century and premiered in 1699. The piece is part of a larger collection of organ works called 'Premier livre d'orgue', which was published posthumously in 1711. The 'Récit de tierce en taille' is a three-movement work that showcases Grigny's mastery of the French Baroque organ style. The first movement is a prelude that sets the stage for the rest of the piece. It features a lively and virtuosic theme that is passed between the hands and feet of the organist. The second movement is a fugue that is based on the same theme as the prelude. It is a complex and intricate piece that demonstrates Grigny's skill as a contrapuntist. The final movement is a grand and majestic toccata that brings the piece to a thrilling conclusion. One of the most notable characteristics of the 'Récit de tierce en taille' is its use of the tierce stop on the organ. This stop produces a bright and piercing sound that is used to great effect throughout the piece. Grigny also makes use of other stops on the organ, such as the cornet and the trumpet, to create a rich and varied sound palette. Another characteristic of the piece is its use of ornamentation. Grigny was known for his elaborate and ornate style, and the 'Récit de tierce en taille' is no exception. The piece is filled with trills, mordents, and other embellishments that add to its beauty and complexity. Overall, the 'Récit de tierce en taille' is a stunning example of French Baroque organ music. Its virtuosic passages, intricate counterpoint, and rich sound palette make it a favorite among organists and audiences alike.

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