Composer

:

Marcel Dupré

Genre

:

Choral

Style

:

Motet

Average_duration

:

14:06

Movement_count

:

4

Movement ....

Marcel Dupré's 'Motets (4), for chorus & organ, Op. 9' is a collection of four sacred choral works composed in 1912. The premiere of the work took place on May 12, 1912, at the Church of Saint-Sulpice in Paris, where Dupré served as the organist. The four movements of the work are titled 'Ave Maria,' 'Tantum ergo,' 'O salutaris hostia,' and 'Laudate Dominum.' The first movement, 'Ave Maria,' is a setting of the traditional Latin prayer to the Virgin Mary. The piece begins with a gentle organ introduction, followed by the choir's entrance with a simple melody. The choir's harmonies gradually become more complex as the piece progresses, building to a climax before returning to a peaceful conclusion. The second movement, 'Tantum ergo,' is a setting of the final two verses of the hymn 'Pange Lingua.' The piece begins with a solemn organ introduction, followed by the choir's entrance with a chant-like melody. The choir's harmonies become more complex as the piece progresses, building to a powerful climax before returning to a peaceful conclusion. The third movement, 'O salutaris hostia,' is a setting of the traditional Latin hymn of the same name. The piece begins with a gentle organ introduction, followed by the choir's entrance with a simple melody. The choir's harmonies gradually become more complex as the piece progresses, building to a climax before returning to a peaceful conclusion. The fourth and final movement, 'Laudate Dominum,' is a setting of Psalm 150. The piece begins with a joyful organ introduction, followed by the choir's entrance with a lively melody. The choir's harmonies become more complex as the piece progresses, building to a powerful climax before returning to a joyful conclusion. Overall, Dupré's 'Motets (4), for chorus & organ, Op. 9' is a beautiful and expressive work that showcases the composer's skill in both choral and organ music. The four movements are characterized by their simple melodies, complex harmonies, and powerful climaxes, making them a popular choice for sacred choral performances.

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