Luys de Narváez
Mille regretz (after Josquin)
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Composer:Luys de NarváezGenre:MiscellaneousStyle:MiscellaneousCompose Date:before 1538Average_duration:3:09"Mille regretz (after Josquin)" is a piece of music composed by Luys de Narváez, a Spanish composer and vihuelist of the Renaissance period. The piece is based on a chanson by Josquin des Prez, a renowned composer of the Franco-Flemish school. Narváez's composition is a variation on the original chanson, which was a popular song in the 16th century. The composition of "Mille regretz (after Josquin)" is believed to have been completed in the early 16th century, although the exact date is unknown. The piece was likely composed for the vihuela, a plucked string instrument similar to the guitar that was popular in Spain during the Renaissance period. The premiere of "Mille regretz (after Josquin)" is also unknown, as the piece was likely performed in private settings rather than in public concerts. However, the piece has since become a popular work in the classical guitar repertoire and has been recorded by numerous artists. The composition consists of four movements, each of which is a variation on the original chanson by Josquin des Prez. The first movement is a simple variation on the original melody, while the second movement features more complex harmonies and rhythms. The third movement is a slower, more contemplative variation, while the fourth movement is a lively dance-like variation. The characteristics of "Mille regretz (after Josquin)" reflect the style of the Renaissance period, with its emphasis on melody, harmony, and counterpoint. The piece is notable for its intricate harmonies and rhythms, as well as its use of the vihuela, which gives the composition a unique sound. Overall, "Mille regretz (after Josquin)" is a beautiful and complex piece of music that showcases the talent and creativity of Luys de Narváez, as well as the rich musical tradition of the Renaissance period.More....
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A thousand regrets (after Josquin)
Mille regres. La canción del Emperador del quarto tono de Jusquin
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