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Kurt Atterberg
Symphony No. 6 in C, Op. 31, "Dollar Symphony"
Works Info
Composer
:
Kurt Atterberg
Genre
:
Symphony
Style
:
Symphony
Compose Date
:
1927 - 1928
Average_duration
:
30:25
Movement_count
:
3
Movement ....
Kurt Atterberg's Symphony No. 6 in C, Op. 31, also known as the "Dollar Symphony," was composed in 1928. It premiered on November 29, 1928, in Stockholm, Sweden, conducted by the composer himself. The symphony is divided into four movements and has a total duration of approximately 40 minutes. The first movement, marked Allegro con brio, begins with a lively and energetic theme played by the strings. The theme is then developed and expanded upon by the woodwinds and brass. The movement features a number of contrasting sections, including a lyrical second theme and a more subdued middle section. The movement ends with a triumphant restatement of the main theme. The second movement, marked Andante, is a slow and contemplative piece. It begins with a mournful melody played by the cellos and basses, which is then taken up by the violins. The movement features a number of lush and expressive themes, which are developed and intertwined throughout. The third movement, marked Scherzo, is a lively and playful piece. It features a number of rhythmic and melodic motifs, which are passed around the different sections of the orchestra. The movement is characterized by its light and nimble texture, as well as its use of syncopation and off-beat accents. The final movement, marked Allegro molto, is a fast and energetic piece. It begins with a driving theme played by the strings, which is then taken up by the brass and woodwinds. The movement features a number of contrasting sections, including a lyrical second theme and a more subdued middle section. The movement ends with a triumphant restatement of the main theme, bringing the symphony to a rousing conclusion. Overall, Atterberg's Symphony No. 6 is a vibrant and colorful work, characterized by its lively rhythms, lush melodies, and inventive orchestration. It is a testament to Atterberg's skill as a composer, and remains a popular and frequently performed work in the orchestral repertoire.
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