Composer

:

George Crumb

Genre

:

Keyboard

Style

:

Open Form

Compose Date

:

1972

Average_duration

:

33:58

Movement_count

:

12

Movement ....

Makrokosmos I is a composition for amplified piano by American composer George Crumb. It was composed in 1972 and premiered the same year by pianist David Burge. The piece is divided into three movements, each with its own unique characteristics. The first movement, titled "Primeval Sounds (Genesis I)," is characterized by its use of extended techniques such as plucking and strumming the strings inside the piano, as well as the use of various percussion instruments such as maracas and a tam-tam. The movement is meant to evoke the sounds of creation, with the pianist acting as a sort of shaman or magician. The second movement, "Proteus," is named after the Greek god of the sea who could change his shape at will. This movement is characterized by its use of contrasting textures and dynamics, with the pianist alternating between delicate, ethereal passages and thunderous, percussive sections. The movement also features a section where the pianist is instructed to play with a piece of paper placed on the strings, creating a buzzing, insect-like sound. The final movement, "The Abyss of Time," is the most introspective and contemplative of the three. It is characterized by its use of sustained, atmospheric chords and haunting melodies. The movement is meant to evoke a sense of timelessness and the vastness of the universe. Overall, Makrokosmos I is a highly innovative and experimental work that pushes the boundaries of what is possible on the piano. It is a testament to Crumb's unique vision and his ability to create evocative, otherworldly music.

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