Composer

:

Franz Liszt

Genre

:

Vocal

Style

:

Song

Compose Date

:

1845 - 1858

Publication Date

:

1876

First Performance

:

Dec 3, 1877

Average_duration

:

8:33

Jeanne d'Arc au Bûcher, for voice and piano, S. 293, is a dramatic work composed by Franz Liszt in 1874. The piece is based on a libretto by Paul-Armand Silvestre and was premiered in 1900, after Liszt's death. The work is divided into ten movements, each of which represents a different scene in the life of Joan of Arc. The first movement, "Introduction," sets the stage for the drama with a somber and foreboding tone. The second movement, "Joan at the Stake," is the most dramatic and intense of the work, with Liszt's music capturing the terror and anguish of Joan as she is burned at the stake. The third movement, "The King's Hall," is a more subdued and reflective piece, as Joan reflects on her life and her mission. The fourth movement, "The Voices," is a haunting and ethereal piece, with Liszt's music capturing the mystical and otherworldly nature of Joan's visions. The fifth movement, "The Trial," is a tense and dramatic piece, with Liszt's music capturing the tension and drama of Joan's trial. The sixth movement, "The Interrogation," is a more subdued and introspective piece, as Joan reflects on her beliefs and her mission. The seventh movement, "The Martyrdom," is a powerful and emotional piece, with Liszt's music capturing the tragedy and sacrifice of Joan's death. The eighth movement, "The Procession," is a more celebratory piece, as Joan is celebrated and honored by the people of France. The ninth movement, "The Epilogue," is a reflective and introspective piece, as Joan reflects on her life and her mission. Overall, Jeanne d'Arc au Bûcher is a powerful and emotional work that captures the drama and tragedy of Joan of Arc's life. Liszt's music is both intense and introspective, capturing the many facets of Joan's character and the complex emotions that she experienced throughout her life.

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