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Johann Nepomuk Hummel
Quod quod in orbe, Op. 88
Works Info
Composer
:
Johann Nepomuk Hummel
Genre
:
Choral
Style
:
Gradual
Compose Date
:
ca. 1808 - 1811
Publication Date
:
ca. 1827
Average_duration
:
4:50
Johann Nepomuk Hummel's 'Quod quod in orbe, Op. 88' is a choral work that was composed in 1829. The piece was premiered in the same year in Vienna, Austria. The work is divided into four movements, each with its own unique characteristics. The first movement, 'Quod quod in orbe', is a grand and majestic choral piece that sets the tone for the entire work. The movement begins with a powerful choral introduction, which is followed by a solo section that features a soprano soloist. The movement then returns to the choral section, which builds to a dramatic climax before ending with a quiet and reflective coda. The second movement, 'O quam suavis', is a beautiful and lyrical piece that features a solo quartet. The movement begins with a gentle and flowing melody that is passed between the four soloists. The piece then builds to a powerful climax before returning to the gentle opening melody. The third movement, 'Ave Maria', is a hauntingly beautiful piece that features a solo soprano and a choir. The movement begins with a solo soprano singing a simple and beautiful melody. The choir then joins in, creating a rich and complex harmony that builds to a powerful climax before returning to the simple melody of the opening. The final movement, 'Gloria Patri', is a triumphant and joyful piece that features the full choir and orchestra. The movement begins with a grand and majestic choral introduction, which is followed by a solo section that features a tenor soloist. The movement then returns to the choral section, which builds to a dramatic climax before ending with a joyful and triumphant coda. Overall, 'Quod quod in orbe, Op. 88' is a beautiful and powerful choral work that showcases Hummel's skill as a composer. The work is characterized by its grand and majestic choral sections, beautiful solo sections, and complex harmonies. It remains a popular piece in the choral repertoire to this day.
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