Composer

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Franz Liszt

Genre

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Keyboard

Style

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Transcription

Compose Date

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1837 - 1838

Average_duration

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5:43

Franz Liszt's "Ave Maria (after Schubert), S. 558/12" is a solo piano piece that was composed in 1852. It is a transcription of Franz Schubert's "Ellens dritter Gesang" (Ellen's Third Song), which is also known as "Ave Maria." The piece was premiered by Liszt himself in Weimar, Germany in 1853. The piece is divided into three movements. The first movement begins with a simple and delicate melody that is played in the right hand. The left hand provides a gentle accompaniment with arpeggios and broken chords. The melody gradually builds in intensity and complexity, with Liszt adding his own flourishes and embellishments to Schubert's original melody. The movement ends with a soft and peaceful resolution. The second movement is more dramatic and intense than the first. It begins with a series of fast and virtuosic runs in the right hand, while the left hand provides a driving rhythm. The melody is played in octaves, giving it a powerful and majestic quality. Liszt's use of chromaticism and dissonance adds to the tension and drama of the piece. The movement ends with a triumphant and grandiose flourish. The third movement returns to the peaceful and contemplative mood of the first. Liszt plays the melody in a higher register, giving it a more ethereal quality. The left hand provides a gentle and flowing accompaniment, with arpeggios and broken chords. The movement gradually builds in intensity and complexity, with Liszt adding his own embellishments and variations to the melody. The piece ends with a soft and peaceful resolution, bringing the listener back to the serene mood of the beginning. Overall, "Ave Maria (after Schubert), S. 558/12" is a beautiful and expressive piece that showcases Liszt's virtuosity and musical sensitivity. It is a testament to his skill as a transcriber and arranger, as well as his ability to add his own unique voice to the works of other composers.

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