Composer

:

Orlande de Lassus

Genre

:

Choral

Style

:

Motet

Publication Date

:

1585

Average_duration

:

4:03

Omnia tempus habent, M. xv (S. xxi/77) is a motet composed by Orlande de Lassus, a prominent composer of the Renaissance period. The piece was composed in the late 16th century, around 1575, and was premiered in Munich, Germany, where Lassus was employed as a court musician. The motet is divided into six movements, each of which is based on a different biblical text. The first movement, "Omnia tempus habent," is based on Ecclesiastes 3:1-8 and explores the idea that there is a time for everything in life. The second movement, "Tempus fugit," is based on Psalm 90:10 and reflects on the fleeting nature of time. The third movement, "Tempus est iocundum," is a lively and joyful piece based on the Song of Solomon 2:11-12, which celebrates the arrival of spring. The fourth movement, "Tempus adest floridum," is based on a medieval poem and describes the beauty of springtime. The fifth movement, "Tempus adest iocundum," is a festive piece based on a medieval song and celebrates the joys of life. The final movement, "Tempus ad est iocundum," is a lively and energetic piece that brings the motet to a joyful conclusion. The characteristics of Omnia tempus habent reflect Lassus' mastery of polyphonic composition. The motet features intricate vocal lines that weave together to create a rich and complex texture. Lassus also employs a variety of musical techniques, such as imitation and canon, to create a sense of unity and coherence throughout the piece. The use of different biblical texts in each movement also adds to the diversity and richness of the motet. Overall, Omnia tempus habent is a masterful example of Renaissance polyphony and showcases Lassus' skill as a composer. Its exploration of the theme of time and its various moods and emotions make it a timeless piece that continues to be performed and appreciated today.

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