Composer

:

Johann Pachelbel

Genre

:

Keyboard

Style

:

Chorale Prelude

Compose Date

:

before Apr 1706

Publication Date

:

1903

Average_duration

:

1:55

Johann Pachelbel's Chorale Prelude Kommt her zu mir, spricht Gottes Sohn, T. 52, is a sacred composition for organ. It was composed in the late 17th century and premiered in the church of St. Sebaldus in Nuremberg, Germany. The piece is based on the hymn "Kommt her zu mir, spricht Gottes Sohn" (Come to me, says God's Son), which is a paraphrase of Matthew 11:28-30. The Chorale Prelude is divided into four movements, each of which reflects a different aspect of the hymn. The first movement is a simple and straightforward presentation of the hymn melody, played in the upper voice of the organ. The second movement is a more complex and ornate variation of the melody, played in the lower voice of the organ. The third movement is a fugue, in which the hymn melody is presented in a contrapuntal manner, with each voice entering in turn. The final movement is a grand and triumphant presentation of the hymn melody, played in the full organ. The characteristics of Pachelbel's Chorale Prelude Kommt her zu mir, spricht Gottes Sohn, T. 52, are typical of his style. Pachelbel was known for his use of simple, clear melodies, which he often presented in a contrapuntal manner. He also favored the use of the organ, which he believed was the most appropriate instrument for sacred music. In this piece, Pachelbel demonstrates his skill in creating complex and ornate variations of a simple melody, as well as his ability to create a grand and triumphant finale. Overall, Pachelbel's Chorale Prelude Kommt her zu mir, spricht Gottes Sohn, T. 52, is a beautiful and uplifting piece of sacred music, which showcases the composer's skill and mastery of the organ. Its simple yet powerful melody and intricate variations make it a timeless classic of the Baroque era.

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