Composer

:

Max Reger

Genre

:

Keyboard

Style

:

Chorale Prelude

Compose Date

:

1902

Average_duration

:

1:24

Max Reger's Chorale Prelude Nun komm, der Heiden Heiland, Op. 67/29 was composed in 1902. It is a musical interpretation of the Lutheran hymn "Nun komm, der Heiden Heiland" (Now come, Savior of the Gentiles), which was written by Martin Luther in the 16th century. The piece was premiered on November 30, 1902, in Leipzig, Germany. The Chorale Prelude is a single movement work for organ and is characterized by its complex harmonies and dense textures. Reger's use of chromaticism and dissonance creates a sense of tension and unease, which is resolved in the final cadence. The piece is also notable for its use of counterpoint, with the melody of the hymn being woven throughout the various voices of the organ. The piece begins with a slow and solemn introduction, with the melody of the hymn played in the pedal. This is followed by a series of variations on the hymn melody, each with its own distinct character and mood. The first variation is marked by a flowing, lyrical melody in the upper voices, while the second variation is more rhythmic and energetic. The third variation is marked by a sense of mystery and tension, with the melody played in the lower voices of the organ. The final variation is the most complex and dense, with all the voices of the organ coming together in a grand and majestic statement of the hymn melody. The piece ends with a triumphant and joyful cadence, bringing the work to a satisfying conclusion. Overall, Max Reger's Chorale Prelude Nun komm, der Heiden Heiland, Op. 67/29 is a masterful interpretation of a beloved hymn. Its complex harmonies and dense textures create a sense of tension and unease, which is ultimately resolved in a triumphant and joyful conclusion.

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