Composer

:

Philippe de Monte

Genre

:

Choral

Style

:

Choral

Average_duration

:

3:36

'Filiae Jerusalem, Nolite Flere' is a sacred choral work composed by Philippe de Monte in the late 16th century. The piece was written in 1582 and premiered in the same year. It is a six-voice motet that is divided into three movements. The first movement begins with a solemn and mournful tone, with the choir singing the words "Filiae Jerusalem, nolite flere super me" (Daughters of Jerusalem, do not weep for me). The music is characterized by a slow and steady tempo, with the voices weaving in and out of each other in a complex polyphonic texture. The harmonies are rich and full, with dissonances used to create a sense of tension and sadness. The second movement is more upbeat and joyful, with the choir singing "Quia surrexit Dominus vere" (For the Lord has truly risen). The tempo is faster, and the music is characterized by a lively and energetic rhythm. The voices are more homophonic in this section, with the different parts singing in unison or in simple harmonies. The final movement returns to the mournful tone of the first, with the choir singing "Ego sum resurrectio et vita" (I am the resurrection and the life). The music is slower and more contemplative, with the voices once again weaving in and out of each other in a complex polyphonic texture. The harmonies are rich and full, with dissonances used to create a sense of tension and sadness. Overall, 'Filiae Jerusalem, Nolite Flere' is a powerful and emotional work that showcases de Monte's skill as a composer. The piece is notable for its complex polyphonic texture, rich harmonies, and use of dissonance to create a sense of tension and sadness. It remains a popular work in the choral repertoire to this day.

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