Composer

:

César Franck

Genre

:

Choral

Style

:

Oratorio

Compose Date

:

1869 - 1879

Publication Date

:

1880

Average_duration

:

120:27

Movement_count

:

9

Movement ....

Les béatitudes, M. 53 is a choral work composed by César Franck in 1869. It was premiered on April 9, 1879, at the Salle Pleyel in Paris, conducted by Jules Pasdeloup. The work is divided into eight movements, each based on one of the Beatitudes from the Gospel of Matthew. The first movement, "Heureux les pauvres en esprit" (Blessed are the poor in spirit), begins with a solemn and meditative introduction, followed by a choral section that expresses the humility and poverty of spirit that leads to blessedness. The second movement, "Heureux ceux qui pleurent" (Blessed are those who mourn), is a mournful and expressive piece that reflects on the sorrow and grief that can lead to spiritual growth and comfort. The third movement, "Heureux les doux" (Blessed are the meek), is a gentle and peaceful section that emphasizes the importance of humility and gentleness in achieving blessedness. The fourth movement, "Heureux ceux qui ont faim et soif de justice" (Blessed are those who hunger and thirst for righteousness), is a passionate and intense piece that expresses the longing for justice and righteousness in the world. The fifth movement, "Heureux les miséricordieux" (Blessed are the merciful), is a tender and compassionate section that emphasizes the importance of showing mercy and forgiveness to others. The sixth movement, "Heureux les cœurs purs" (Blessed are the pure in heart), is a serene and contemplative piece that reflects on the purity of heart that leads to blessedness. The seventh movement, "Heureux les pacifiques" (Blessed are the peacemakers), is a joyful and optimistic section that celebrates the role of peacemakers in creating harmony and unity. The final movement, "Heureux ceux qui sont persécutés pour la justice" (Blessed are those who are persecuted for righteousness' sake), is a triumphant and powerful piece that expresses the courage and faith of those who suffer for their beliefs. Overall, Les béatitudes, M. 53 is a deeply spiritual and emotional work that reflects Franck's Catholic faith and his belief in the transformative power of the Beatitudes. The work is characterized by its rich harmonies, expressive melodies, and powerful choral writing, and it remains one of Franck's most beloved and enduring compositions.

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