Composer

:

Thomas Weelkes

Genre

:

Vocal

Style

:

Madrigal

Publication Date

:

1608

Average_duration

:

1:35

"Strike it up tabor" is a popular English madrigal composed by Thomas Weelkes in the late 16th century. The piece was first published in 1600 in Weelkes' collection of madrigals entitled "The Triumphs of Oriana". The collection was dedicated to Queen Elizabeth I and featured works by various composers, all celebrating the queen's reign. The madrigal is written for five voices (SSATB) and is characterized by its lively and rhythmic nature. The title refers to the tabor, a small drum often used in folk music and dance. The piece begins with a solo voice singing the phrase "Strike it up tabor" followed by the other voices joining in with the same phrase. The melody is then passed between the voices, with each taking turns singing the main theme. The piece is divided into three sections or movements. The first section is marked by its energetic and rhythmic nature, with the voices imitating the sound of the tabor. The second section is more subdued, with the voices singing in a more homophonic style. The final section returns to the lively and rhythmic nature of the first section, with the voices building to a climactic ending. Overall, "Strike it up tabor" is a prime example of the English madrigal style, which was popular during the Renaissance period. The piece features intricate vocal harmonies, lively rhythms, and a playful spirit that reflects the joy and exuberance of the time. Weelkes' use of the tabor as a musical motif adds to the piece's folk-like quality, making it a favorite among both amateur and professional singers alike.

More....