Composer

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Béla Bartók

Genre

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Keyboard

Style

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Keyboard

Compose Date

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1926 - 1939

Average_duration

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1:05

Perpetuum Mobile, Sz. 107/5/135 is a short piano piece composed by Béla Bartók in 1918. It was premiered in Budapest in 1919 by the composer himself. The piece is part of a larger collection of six pieces titled "Out of Doors" and is the fifth piece in the set. Perpetuum Mobile is a fast and lively piece that is characterized by its perpetual motion and rhythmic drive. The piece is written in a simple ABA form, with the outer sections featuring a driving, syncopated rhythm and the middle section providing a brief respite with a more lyrical melody. The piece is notable for its use of ostinato, a musical technique where a short musical phrase is repeated over and over again. In Perpetuum Mobile, the left hand plays a repeated pattern of eighth notes while the right hand plays a melody that weaves in and out of the rhythm. This creates a sense of constant motion and energy that propels the piece forward. Bartók was known for his use of folk music in his compositions, and Perpetuum Mobile is no exception. The piece incorporates elements of Hungarian folk music, including the use of syncopated rhythms and the pentatonic scale. However, Bartók also adds his own modernist twist to the piece, with dissonant harmonies and unexpected rhythmic accents. Overall, Perpetuum Mobile is a short but powerful piece that showcases Bartók's unique blend of folk music and modernist techniques. Its perpetual motion and rhythmic drive make it a popular choice for pianists and audiences alike.

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