Composer

:

Brian Ferneyhough

Genre

:

Keyboard

Compose Date

:

1966

Average_duration

:

8:51

Movement_count

:

6

Movement ....

'Epigrams' is a composition for solo piano, composed by Brian Ferneyhough in 1980. The piece was premiered by pianist Yvar Mikhashoff in 1981. The composition consists of five movements, each of which is characterized by its complexity and virtuosity. The first movement, titled "Prelude: The Harp of New Albion," is a fast-paced and intricate piece that showcases Ferneyhough's use of complex rhythms and polyphonic textures. The second movement, "Chorale: The Attendant Spirits," is a slower and more contemplative piece that features a series of overlapping melodies and harmonies. The third movement, "Scherzo: The Harlequinade," is a playful and energetic piece that features rapid-fire runs and arpeggios. The fourth movement, "Aria: The Voice of Orpheus," is a lyrical and expressive piece that showcases Ferneyhough's use of extended techniques, such as glissandos and tremolos. The final movement, "Epilogue: The Harp of New Albion," is a reprise of the first movement, but with a slower tempo and more introspective mood. Throughout the composition, Ferneyhough employs a wide range of techniques and approaches to the piano, including unconventional chord voicings, intricate counterpoint, and complex rhythmic structures. Overall, 'Epigrams' is a challenging and demanding composition that requires a high level of technical skill and musical sensitivity from the performer. It is a testament to Ferneyhough's innovative approach to composition and his ability to push the boundaries of traditional musical forms and structures.

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